As part of Marina Abramovics groundbreaking exhibition at the Museum of Modern Art in New York City, the artist herself logged 700 hours over the course of 3 months in a small chair. Visitors were invited to sit across from the performance artist's stolid countenance, for whatever (i)____________ they desired, the (ii)____________ sitting for only a few moments and the bold sitting for several hours; the visitors thus became (iii)____________ components of the piece, wittingly or unwittingly. A. motive B. irresolute C. integral D. tenure E. boorish F. culpable G. approbation H. genial I. nascent